Paul Jacob Naftel Paintings


Paul Jacob Naftel was a British watercolour painter born on October 13, 1817, in Guernsey, one of the Channel Islands. He showed an early interest in arts and was particularly drawn to watercolours. Naftel's talent became evident at a young age, leading him to pursue an artistic career that would span several decades.

Naftel moved to London in 1837, where he continued to develop his skills and began to establish a reputation as a skilled watercolourist. His work was characterized by its vibrant use of color and meticulous attention to detail, which captured the beauty of landscapes and botanical subjects. He became a member of the Society of British Artists in 1842 and later joined the prestigious Royal Watercolour Society (RWS) in 1856, an acknowledgment of his contributions to the art form.

Throughout his career, Naftel exhibited widely, including at the Royal Academy, the British Institution, and the Royal Watercolour Society. He also taught watercolour painting, sharing his knowledge and techniques with aspiring artists. His influence on the Victorian watercolour movement was significant, and his works were collected by art enthusiasts of the time.

Naftel traveled extensively, and his paintings often reflected the scenery and flora of the places he visited. He painted scenes from across the British Isles, the Mediterranean, and as far afield as the West Indies. This travel not only provided inspiration for his art but also allowed him to engage with a variety of landscapes and natural environments, further enriching his palette and subject matter.

Paul Jacob Naftel passed away on May 14, 1891, in London. He left behind a rich legacy of watercolour paintings that are still admired for their luminosity and precision. His artworks are represented in various collections, including those of the Victoria and Albert Museum and the Guernsey Museum & Art Gallery. Naftel's dedication to watercolour painting helped to elevate the status of the medium during the 19th century, and his work continues to be appreciated by art historians and collectors alike.