Joachim or Luhne Luhn Paintings

Joachim von Sandrart, often called Joachim von Sandrart the Elder to distinguish him from his nephew of the same name, was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. While there is no artist by the exact name of Joachim or Luhne Luhn, it is possible that there might be some confusion with Joachim von Sandrart or perhaps another artist from a similar period whose name has been misspelled or altered over time.

Joachim von Sandrart was born in Frankfurt am Main in 1606. He trained with his uncle, also a painter, before traveling extensively through Europe to further his study of art. He spent significant periods in Italy, where he was influenced by the work of classical artists and contemporary Baroque painters. It was in Rome that Sandrart became associated with important figures in the art world at the time, such as the painter Claude Lorrain.

Upon his return to Germany, Sandrart worked in Frankfurt and subsequently in Nuremberg, where he became a successful painter and art collector. He was also a member of the Nuremberg Academy of Sciences and contributed to the city's cultural life. His works include historical scenes, portraits, and allegorical subjects, and he was particularly admired for his skill in depicting the textures of materials and the interplay of light and shadow.

In addition to his painting, Sandrart is renowned for his written work, 'Teutsche Academie der Edlen Bau-, Bild- und Malereikünste' (Academy of the Noble Arts of Architecture, Sculpture, and Painting), first published in 1675. This comprehensive work on the history and theory of art is considered one of the most important sources of information on the artists and artistic practices of his time. Sandrart's biographical accounts of his contemporaries and predecessors have provided valuable insights into the world of 17th-century art.

Joachim von Sandrart passed away in Nuremberg in 1661. His legacy extends beyond his paintings, as his written work continues to be a reference for art historians studying the Baroque period and the Dutch Golden Age.