Robert Michel Paintings


Robert Michel was a prolific German artist known for his contributions to the Dada movement and the development of what would become known as Constructivism. He was born on February 22, 1897, in Schwäbisch Gmünd, Germany. Not much is widely known about his early life, but he moved to Berlin where he became active in the avant-garde art scene.

Michel served in World War I, which deeply influenced his perspective and later his artwork. After the war, he returned to a Germany in turmoil, a climate that proved fertile for the growth of new, radical approaches to art. It was during this time that Michel, along with his partner and fellow artist Ella Bergmann-Michel, began to explore the emerging Dada movement. The Dadas were known for their rejection of traditional art aesthetics and bourgeois values, often expressed through absurdity and anti-art manifestations.

By the early 1920s, Michel's work began to shift towards Constructivism, an artistic and architectural philosophy that originated in Russia around 1915. It was marked by a focus on modernity and the industrial, with an emphasis on abstraction, geometric forms, and functionality. Robert Michel's artworks typically involved the use of unconventional materials and were often kinetic, involving moving parts and exploring the relationship between space and form.

Throughout his career, Michel remained somewhat overshadowed by the more prominent figures of these movements, such as Tristan Tzara, Hans Arp, or the Russian Constructivists like Vladimir Tatlin and Aleksander Rodchenko. Nonetheless, he made significant contributions to the development of early 20th-century art, particularly through his collaborations with other artists and his exploration of new materials and techniques.

Robert Michel's work was not limited to visual arts alone. Alongside his wife Ella, he was involved in experimental filmmaking and photography, both of which were integral to the couple's artistic investigations into perception and media. The Michels were also politically engaged, aligning with left-wing ideologies, which was common among many avant-garde artists of the time.

Despite his active role in these groundbreaking artistic movements, Michel's work remained relatively unrecognized until later in the 20th century. He spent much of his life in poverty and struggled to gain the same level of recognition as some of his contemporaries. Nevertheless, his contributions to the Dada and Constructivist movements have been reassessed and celebrated in more recent years.

Robert Michel passed away on January 3, 1983, leaving behind a legacy that has since been re-evaluated by art historians and critics. Today, he is acknowledged as a significant figure in the development of modern art, one whose experimental spirit helped to push the boundaries of what art could be in the tumultuous era between the two world wars.